I remember asking myself one night, while I was curled up in the same old corner of my same old couch in tears yet again over the same old repetition of sorrowful thoughts, 'Is there ANYTHING about this scene you can change, Liz?' And all I could think to do was stand up, whle still sobbing, and try to balance on one foot in the middle of the living room. Just to prove that - while I couldn't stop the tears or change my dismal interior dialogue - I was not yet totally out of control: at least I could cry hysterically while balanced on one foot.

When I read the article [in The New Yorker] by David Grann, I was very struck by people responding to the article, of people thinking I was such a hero and what a wonderful person I was, and I didn't feel that at all. I felt like I had very much, like Todd [Willingham], taken a path of self-preservation.

For most of Western civilization there was no real division between the realms of science, divinity, and artistic endeavor - they were just three strands of the same braid, all of them pulling toward the same beautiful desire: to try to understand the workings of this curious and beautiful world. There were many people who would have called themselves all three things at once: men of god, men of science, men of the arts.

I think that if you can roast a chicken, you can get whatever you want out of a woman. Maybe it's just me but I would suspect that a man trying to impress a woman would be more likely to bring out the steak - "I killed this for you, now I'm grilling it for you."... A man that can cook you a proper meal that is like a weekday meal - which I think cannot be better than in the form of a roast chicken - that's the greatest.

Just as there exists in writing a literal truth and a poetic truth, there also exists in a human being a literal anatomy and a poetic anatomy. One, you can see; one, you cannot. One is made of bones and teeth and flesh; the other is made of energy and memory and faith. But they are both equally true.

Absolute certainty is not something I strive for anymore. I've learned the hard way that destiny usually looks upon our most strident convictions with amusement, or perhaps even pity.

I felt like I was some kind of primitive spring-loaded machine, placed under far more tension than it had ever been built to sustain, about to blast apart at great danger to anyone standing nearby. I imagined my body parts flying off my torso in order to escape the volcanic core of unhappiness that had become: me.