Now, my novel begins. No, now I begin my novel—and yet I cannot decide whether to call myself I or she.

How certain human beings are able to create works of art is a mystery, and why they should wish to do so, at a great cost to themselves usually, is another mystery. Works are not created by one's life; every life is rich in material.

The fifties - they seem to have taken place on a sunny afternoon that asked nothing of you except a drifting belief in the moment and its power to satisfy.

Many people believe letters the most personal and revealing form of communication. In them, we expect to find the charmer at his nap, slumped, open-mouthed, profoundly himself without thought for appearances. Yet, this is not quite true. Letters are above all useful as a means of expressing the ideal self; and no other method of communication is quite so good for this purpose. In conversation, those uneasy eyes upon you, those lips ready with an emendation before you have begun to speak, are a powerful deterrent to unreality, even to hope.

Mothers born on relief have their babies on relief. Nothingness, truly, seems to be the condition of these New York people. They are nomads going from one rooming house to another, looking for a toilet that functions.

Boston - wrinkled, spindly-legged, depleted of nearly all her spiritual and cutaneous oils, provincial, self-esteeming - has gone on spending and spending her inflated bills of pure reputation, decade after decade.

While you are living, part of you has slipped away to the cemetery.