Boston - wrinkled, spindly-legged, depleted of nearly all her spiritual and cutaneous oils, provincial, self-esteeming - has gone on spending and spending her inflated bills of pure reputation, decade after decade.

The language of the younger generation has the brutality of the city and an assertion of threatening power at hand, not to come. It is military, theatrical, and at its most coherent probably a lasting repudiation of empty courtesy and bureaucratic euphemism.

Sometimes one has the feeling of an almost supernatural character to the shifts and changes in our national mood. They appear beyond the prose of cause and effect.

How certain human beings are able to create works of art is a mystery, and why they should wish to do so, at a great cost to themselves usually, is another mystery. Works are not created by one's life; every life is rich in material.

Here in the city the worst thing that can happen to a nation has happened: we are a people afraid of its youth.

Mothers born on relief have their babies on relief. Nothingness, truly, seems to be the condition of these New York people. They are nomads going from one rooming house to another, looking for a toilet that functions.

Now, my novel begins. No, now I begin my novel—and yet I cannot decide whether to call myself I or she.