what society requires from art ... is that it function as an early warning system.

we expect definitions to tell us not only what is, but what to do about it; to show us how the world fits together and how its different parts connect and work. ... A label is the first step toward action.

Great writers leave us not just their works, but a way of looking at things.

Today, what most people live in, or with, is the less-than-nuclear family. Working fathers are absent from home during most of the day, the children are schooled outside it, and practically all women who work for money must go outside to earn their living.

This is the power of the powerful to define, to structure, to say, 'This is the way the world works.' It's enormous power. Among the powers of the weak, I think the first one is the power not to believe the powerful.

what society requires from art ... is that it function as an early warning system.

power is not a thing to be owned. But if you believe that it is such a thing, losing it becomes a possibility to fear. That fear, I think, is one reason for the dark projections of a catastrophic future that are so widespread, in our dual society. The present powerful, being committed to polarization, expect that any new deal will overturn the one that set them in authority; that the last shall be first and the first last, role reversal everywhere, men as slaves, women as masters, in a revolution of contradiction.