Today I will go to wait for her again, because I cannot help it, because my whole being seems now to be bound up in the being of one so different from myself and yet so exquisitely familiar that I can scarely understand what has happened.

I believe in walking out of a museum before the paintings you've seen begin to run together. How else can you carry anything away with you in your mind's eye?

I've read there is no such thing as a single tear, that old poetic trope. And perhaps there isn't, since hers was simply a companion to my own.

In the end, I always act from the heart, even if I also value reason and tradition. I wish I could explain why, but I don't know.

In those days, I still thoroughly enjoyed the romance I called "by myself"; I didn't know yet how it gets lonely, picks up a sharp edge later on that ruins a day now and then-- ruins more than that, if you're not careful.

Today I will go to wait for her again, because I cannot help it, because my whole being seems now to be bound up in the being of one so different from myself and yet so exquisitely familiar that I can scarely understand what has happened.

It's a shame for women's history to be all about men--first boys, then other boys, then men men men. It reminds me of the way our school history textbooks were all about wars and elections, one war after another, with the dull periods of peace skimmed over whenever they occurred. (Our teachers deplored this and added extra units about social history and protest movements, but that was still the message of the books.)