For some people, history is simply what your wife looks good standing in front of. It’s what’s cast in bronze, or framed in sepia tones, or acted out with wax dummies and period furniture. It takes place in glass bubbles filled with water and chunks of plastic snow; it’s stamped on souvenir pencils and summarized in reprint newspapers. History nowadays is recorded in memorabilia. If you can’t purchase a shopping bag that alludes to something, people won’t believe it ever happened.

There are writers who can show you the excellence of their brains and writers who show you the depths of their souls: I don't know any writer who does both at the same time as brilliantly as Roxane Gay.

After most deaths, I imagine, the awfulness lies in how everything’s changed….there’s a hole. It’s person-shaped and it follows you everywhere…. For us what was killing was how nothing had changed. We’d been waiting to be transformed, and now here we were, back in our old life.

My father was right: you could make anybody amazing just by insisting they were.

Library books were, I suddenly realized, promiscuous, ready to lie down in the arms of anyone who asked. Not like bookstore books, which married their purchasers, or were brokered for marriages to others.

And while I was not an admirer of people in the specific, I liked them in the abstract. It is only the execution of the idea that disappoints.

Despite popular theories, I believe people fall in love based not on good looks or fate but on knowledge. Either they are amazed by something a beloved knows that they themselves do not know; or they discover a common rare knowledge; or they can supply knowledge to someone who's lacking. Hasn't everyone found a strange ignorance in someone beguiling? . . .Nowadays, trendy librarians, wanting to be important, say, Knowledge is power. I know better. Knowledge is love.