I don't think meeting people that I've done pictures of spoils it at all because I like the really human sides of people. To meet them and see that they're complicated and weird or shy or any of those things sort of makes it even better - to know that they can rise above that and make something great.

I lived in London for a time in the '90s and I love it here. You know, I just go and see shows and have great dinners and walk around.

It is such an amazing moment when people realize what they are and what they can be, and they start putting themselves out into the world. I think you can see it in people when it's happening. They look different.

The faces people make when they are photographed and the face they have when you draw them are very different.

I like the really human sides of people. To meet them and see that they’re complicated and weird or shy or any of those things sort of makes it even better—to know that they can rise above that and make something great.

I don't think meeting people that I've done pictures of spoils it at all because I like the really human sides of people. To meet them and see that they're complicated and weird or shy or any of those things sort of makes it even better - to know that they can rise above that and make something great.

To paint well, I need to be enraptured by my subjects.