Mostly I work really unconsciously, and I think if the scenes are really well written, which they are, and if I just throw myself into it, I don't really think about it.

We had no idea what we were getting into. We thought we were just doing this little vampire movie in Portland. There was just a lot of silliness, a lot of hijinks and bad behavior.

For the first movie, they had the girls in one hotel and the boys in another hotel. Then, we found out that they actually preferred their hotel, so we moved over there and all hell broke loose.

Sometimes I think your face and your bearing and your energy have so much more to do with the jobs you get than the actual work and the time and the effort that you put in, or the talent even.

Also, to get to work with serious filmmakers on this kind of a movie, has elevated these movies. We were so lucky, as actors, that the crew of directors that we've gotten to work with are totally really super high-end filmmakers. But, Bill Condon had a vision and it was so specific. He's really passionate. I think he's taken the story to another level.

I think Chris Weitz is an amazing director, and his sensibility - I wouldn't even know how to articulate it - it's just, he's a very sensitive, interesting guy.

It's interesting to me that I get cast as mothers and really maternal, sweet, nice people... Maybe I have a vulnerability or something; maybe that's what it is.