I love, love, love to rehearse, but when you're rehearsing and then you go do it at night, it's a very weird thing.

Sometimes I think your face and your bearing and your energy have so much more to do with the jobs you get than the actual work and the time and the effort that you put in, or the talent even.

My career's been a steady, interesting, weird, frustrating, fun journey at all different times.

I think Chris Weitz is an amazing director, and his sensibility - I wouldn't even know how to articulate it - it's just, he's a very sensitive, interesting guy.

I don't like to watch myself. For the most part, I find it weird. It depresses me; I'm very critical.

It's interesting to me that I get cast as mothers and really maternal, sweet, nice people... Maybe I have a vulnerability or something; maybe that's what it is.

Mostly I work really unconsciously, and I think if the scenes are really well written, which they are, and if I just throw myself into it, I don't really think about it.