Back and forth she went each morning by the river, spring arriving once again; foolish, foolish spring, breaking open its tiny buds, and what she couldn’t stand was how—for many years, really—she had been made happy by such a thing. She had not thought she would ever become immune to the beauty of the physical world, but there you were. The river sparkled with the sun that rose, enough that she needed her sunglasses.

I actually see myself in all my characters. In order to imagine what it feels like to be another person I have to use my own experiences and responses to the world.

You couldn't make yourself stop feeling a certain way, no matter what the other person did. You had to just wait. Eventually the feeling went away because others came along. Or sometimes it didn't go away but got squeezed into something tiny, and hung like a piece of tinsel in the back of your mind.

The fact of the matter is I always have a really high sense of responsibility to the reader, whether it's a few readers that I get or a lot of readers, which I was lucky enough to get with 'Olive.' I feel responsible to them, to deliver something as truthful and straight as I can.

He wanted to put his arms around her, but she had a darkness that seemed to stand beside her like an acquaintance that would not go away.

Sometimes, like now, Olive had a sense of just how desperately hard every person in the world was working to get what they needed. For most, it was a sense of safety, in the sea of terror that life increasingly became. (211)

For years I did most of my reading on the F train between Brooklyn and Manhattan. I had long commutes, and I read tons of books on that train; I loved it.