I have to pay attention to what I have felt and observed, then push these responses to an extreme while keeping the story within the realm of being psychologically and emotionally true.

Back and forth she went each morning by the river, spring arriving once again; foolish, foolish spring, breaking open its tiny buds, and what she couldn’t stand was how—for many years, really—she had been made happy by such a thing. She had not thought she would ever become immune to the beauty of the physical world, but there you were. The river sparkled with the sun that rose, enough that she needed her sunglasses.

Oh that's lovely," said Bunny. "Olive, you've got a date." "Why would you say something so foolish?" Olive asked, really annoyed. "We're two lonely people having supper." "Exactly," said Bunny. "That's a date.

And it was too late. No one wants to believe something is too late, but it is always becoming too late, and then it is.

There were days - she could remember this - when Henry would hold her hand as they walked home, middle-aged people, in their prime. Had they known at these moments to be quietly joyful? Most likely not. People mostly did not know enough when they were living life that they were living it. But she had that memory now, of something healthy and pure.

He would not let her go. Even though, staring into her open eyes in the swirling salt-filled water, with sun flashing though each wave, he thought he would like this moment to be forever: the dark-haired woman on shore calling for their safety, the girl who had once jumped rope like a queen, now holding him with a fierceness that matched the power of the ocean—oh, insane, ludicrous, unknowable world! Look how she wanted to live, look how she wanted to hold on.

I actually see myself in all my characters. In order to imagine what it feels like to be another person I have to use my own experiences and responses to the world.