They can give you all the pills on earth and do whatever - and you're still yourself.

That's the thing about depression: A human being can survive almost anything, as long as she sees the end in sight. But depression is so insidious, and it compounds daily, that it's impossible to ever see the end. The fog is like a cage without a key.

The most likely person to kill you is your wife, but that probably won't happen. What probably will happen is a million little betrayals of varying degrees of pain, brought on by people you love, the only ones who really can hurt you.

Everything's plastic, we're all gonna die.

The moment in The Bell Jar when Esther Greenwood realizes after thirty days in the same black turtleneck that she never wants to wash her hair again, that the repeated necessity of the act is too much trouble, that she wants to do it once and be done with it, seems like the book's true epiphany. You know you've completely descended into madness when the matter of shampoo has ascended into philosophical heights.

I wasn't just the madwoman in the attic--I was the attic itself. The past was all over me, all under me, all inside me.

I wonder if any of them can tell from just looking at me that all I am is the sum total of my pain, a raw woundedness so extreme that it might be terminal. It might be terminal velocity, the speed of the sound of a girl falling down to a place from where she can't be retrieved. What if I am stuck down here for good?