I guess I worry about weird existential things, like how do we spend our final act. This is a very emotional question. I can't answer it without crying. I think, You're 56 years old, what did you do? You raised two good kids. What am I going to do now that is as meaningful as that? I don't know the answer yet.

But one of the hardest things for me to do was to access anger. I could do it on stage. But when I did it on film it was hard for me. That probably has to do with the intimacy of film. And my own personal issues with expressing anger. So I had to learn how to do that.

I was trained by Method acting teachers and we were taught that aside from whatever gift you may or may not have or the level of that gift, that you were obliged to know how to build a table. It's a craft. It's like being a ballerina or a violinist.

Men who love their mothers treat women wonderfully. And they have enormous respect for women.

There is a certain androgyny to my appeal.

I'm a little more extreme than a homebody. Unless there's some event I really have to go to, I don't like to leave my house.

I eat cheese and salami and a lot of fried chicken. I eat a big bag of oatmeal-raisin cookies every night and I don't gain weight. I still look OK as long as I'm dressed.