We have become a nation of Kodachrome, Nikon, Instamatic addicts. But we haven't yet developed a clear idea of the ethics of picture-taking. ... Where do we get the right to bring other people home in a canister? Where did we lose the right to control our image?

How many of the people I know - sons and daughters - have intricate abstract expressionist paintings of their mothers, created out of their own emotions, attitudes, hands. And how many have only Polaroid pictures of their fathers.

Forty is ... an age at which people have histories and options. At thirty, they had perhaps less history. At fifty, perhaps fewer options.

I wonder whether our adoption of Shrink-ese as a second language, the move from religious phrases of judgment to secular words of acceptance, hasn't also produced a moral lobotomy. In the reluctance, the aversion to being judgmental, are we disabled from making any judgments at all?

Ultimately, time is all you have and the idea isn't to save it, but to savour it.

Without even knowing it, we are assaulted by a high note of urgency all the time. We end up pacing ourselves to the city rhythm whether or not it's our own. In time we even grow hard of hearing to the rest of the world. Like a violinist stuck next to the timpani, we may lose the ability to hear our own instrument.

We spend January 1st walking through our lives, room by room, drawing up a list of work to be done, cracks to be patched. Maybe this year, to balance the list, we ought to walk through the rooms of our lives...not looking for flaws, but for potential.