I feel lucky that Viceland wanted to make it, and I'm producing more than one film with LGBT characters and stories and it's because it's what I'm interested in. I'm not going to read a script and say, 'They're not gay, I'm not going to do it,' but I am interested in playing more gay people, because I've only played one gay person, and I've done a fair amount of movies, and I am interested in those stories. So for me, there's no should-I-or-shouldn't-I. It all feels natural.

I am a feminist and I am totally pro-choice, but what's funny is when you say that people assume that you are pro-abortion. I don't love abortion but I want women to be able to choose and I don't want white dudes in an office being able to make laws on things like this. I mean what are we going to do - go back to clothes hangers?

The quality most important to me, in the films I make, is honesty.

I think a lot of the time in films, men get roles where they create their own destiny and women are just tools, supporters for that.

One of those things where immediately when you started reading it, you knew it was something special and then the more you read, the more it surprised you, and the more you realized it was devoid of stereotype .

We're friends, and we're both friends with actresses our age, but we never get to work with each other because there's one girl in the movie, or whatever. For me, it was just so amazing to get to work with Evan [Rachel Wood], who I've loved forever.

It's already not as easy, in the sense that interesting roles for girls and women tend to be few and far between. That's just the reality that I think most people would agree with. So that can be frustrating. I just get sent so many things that are like, "So, here's another story about a guy...." But that's just what it is. I'm kind of getting more excited about developing my own stuff, or getting involved early in projects and doing my best to make things that I care about happen.