I feel lucky that Viceland wanted to make it, and I'm producing more than one film with LGBT characters and stories and it's because it's what I'm interested in. I'm not going to read a script and say, 'They're not gay, I'm not going to do it,' but I am interested in playing more gay people, because I've only played one gay person, and I've done a fair amount of movies, and I am interested in those stories. So for me, there's no should-I-or-shouldn't-I. It all feels natural.

We became so close [with Rachel Evan Wood], in the process of leading up to making the film [Into the Forest ]. We were saying goodbye to each other, wrapping the film, and we knew we'd be seeing each other again.

There’s obviously a lot of tragedy in comedy; I really enjoy the paradox of what a really good comedy is.

I have trouble sometimes watching actors - even when they do a great job - with an accent. It kind of removes me, somehow. And maybe at some point, yeah, it could be a really cool experience. It's not something that I consciously think, "Oh yeah, I want to do a movie with an accent." Not to say that it couldn't happen.

Judging people you don't know for things you don't understand is just really stupid.

I don’t believe in eye-for-an-eye. The most incredible, sustainable, beautiful movements have been non-violent movements of civil disobedience.

I think the bottom line is that we have to learn from what's going on in other countries. We have to learn from what people are doing to and live fully in really dire, hard circumstances, and then compare that to our own experience.