I feel lucky that Viceland wanted to make it, and I'm producing more than one film with LGBT characters and stories and it's because it's what I'm interested in. I'm not going to read a script and say, 'They're not gay, I'm not going to do it,' but I am interested in playing more gay people, because I've only played one gay person, and I've done a fair amount of movies, and I am interested in those stories. So for me, there's no should-I-or-shouldn't-I. It all feels natural.

I don't want to become unhealthily attached to what I do. I'm grateful for what I do, but I also want to be able to be OK when I'm not doing it.

I have trouble sometimes watching actors - even when they do a great job - with an accent. It kind of removes me, somehow. And maybe at some point, yeah, it could be a really cool experience. It's not something that I consciously think, "Oh yeah, I want to do a movie with an accent." Not to say that it couldn't happen.

I wish I was a teenager in the 1970s.

I call myself a feminist when people ask me if I am, and of course I am 'cause it's about equality, so I hope everyone is. You know you're working in a patriarchal society when the word "feminist" has a weird connotation.

I’m a huge fan of the program Democracy Now, which is hosted by Amy Goodman, and I subscribe to the podcast.

I'm a huge Sissy Spacek fan.