It's really crucial to achieve that balance with a film like this, cause it is unique and witty and then there's the tendency to force that. It becomes contrived and I know the feeling like, give me a fork that I can stab in my eye in those kinds of movies.

Regardless, for me, I feel a personal obligation and a social responsibility.

Of course you have days that are long, you're tired, and things aren't working out, and you can get frustrated, but I would say any of the things that make it less glamorous or cause some complexity or turn you down the road you weren't expecting to go down is a part of the thrill.

I think the bottom line is that we have to learn from what's going on in other countries. We have to learn from what people are doing to and live fully in really dire, hard circumstances, and then compare that to our own experience.

I remember having been with this book [Into the Forest] for a long time, and I remember the moment that she [Patricia Rozema] sent me the script and what it was like to read it for the first time. I just was so blown away by how she managed to capture the story and their relationship to each other, and the nuances of that.

I grew up working in Canada so everything was low budget.

It's weird because here I am, an actress, representing - at least in some sense - an industry that places crushing standards on all of us. Not just young people, but everyone. Standards of beauty. Of a good life. Of success. Standards that, I hate to admit, have affected me.