I loved Thirteen and I loved Pretty Persuasion, and was always just so blown away by her [Rachel Evan Wood]. It was nice, and sadly, it is so rare.

I feel like we've inherited modern infrastructure, and I could run away from it and become a full-time activist, or I can try to do my job, and try to talk about things I care about, and be able to do something like sponsor a topsoil conference in Nova Scotia, and talk about Bill McKibben, and narrate a documentary about the vanishing of the bees, and try to navigate my way through this world the best way possible. That's what I'm trying to figure out. Probably like many people right now.

I just love it so much [acting]. When I get passionate, I’ll give you everything until I collapse. That’s not in any ’Look at me, I’m a saint’ kind of way. It’s very selfish in a way. I’m doing this really awesome exploration, and it’s like a drug, because I completely disappear.

You hear things like, ‘People shouldn’t know about your life because you’re creating an illusion on-screen.’ But I don’t see other actresses going to great lengths to hide their heterosexuality. That’s an unfair double standard.

I don’t believe in eye-for-an-eye. The most incredible, sustainable, beautiful movements have been non-violent movements of civil disobedience.

There’s obviously a lot of tragedy in comedy; I really enjoy the paradox of what a really good comedy is.

Of course you have days that are long, you're tired, and things aren't working out, and you can get frustrated, but I would say any of the things that make it less glamorous or cause some complexity or turn you down the road you weren't expecting to go down is a part of the thrill.