There are moments when you are, um, encouraged to dress a certain way. But I can't. It just erodes my soul. That's no criticism to girls who can wear a tiny dress and kill it - that's awesome. People always attribute being a feminist to hating girls being sexual, and that's not it at all. I'm just not into it.

We're friends, and we're both friends with actresses our age, but we never get to work with each other because there's one girl in the movie, or whatever. For me, it was just so amazing to get to work with Evan [Rachel Wood], who I've loved forever.

I'm really passionate about music - I get really emotionally connected, probably in a weird way.

I don't want to become unhealthily attached to what I do. I'm grateful for what I do, but I also want to be able to be OK when I'm not doing it.

I think, because I've been working for a while, I've been working since I was ten, I had the fortune of reading a lot, a lot of scripts.

Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.

Of course you have days that are long, you're tired, and things aren't working out, and you can get frustrated, but I would say any of the things that make it less glamorous or cause some complexity or turn you down the road you weren't expecting to go down is a part of the thrill.