When I was 5, someone thought it was smart to let me watch The People Under the Stairs. It might not have even been that scary, but I do remember skinned people in cages under the stairs and a man who lived in a wall without a tongue… and that’s why I cry after sex.

I think a lot of the time in films, men get roles where they create their own destiny and women are just tools, supporters for that.

I loved Thirteen and I loved Pretty Persuasion, and was always just so blown away by her [Rachel Evan Wood]. It was nice, and sadly, it is so rare.

I was in a store in Halifax, Nova Scotia that I love, sort of like an environmental friendly sort of store. But they had a great book section. So I went in there all the time. The woman who worked there - which I feel so bad; I've forgotten her name - she handed me the book and she said, "Hey, you should read this. I think it would make a good movie." I remember reading the back of it and I was like, "Huh." Then I just devoured the book and I was so moved by it and said, "Why don't we start developing this into a film?" So that's how it ['Into the Forest'] all started.

I don't get competitive, really. So I don't know. If I'm excited about something, hopefully someone will think, "Oh right, you should do this." And that's great. I'm not being very articulate about this. I just don't want to do stuff if I'm going to feel bummed out and uninspired.

I think the bottom line is that we have to learn from what's going on in other countries. We have to learn from what people are doing to and live fully in really dire, hard circumstances, and then compare that to our own experience.

I do what I love to do. I have awesome people who let me make the choices I want to make. I navigate things by whether I want to play a part or not, to be honest.