Applause is an instinctive, unconscious act expressing the sympathy between actors and audience. Just as our art demands more instinct than intellect in its exercise, so we demand of those who watch us an apppreciation of the simple unconscious kind which finds an outlet in clapping rather than the cold intellectual approval which would self-consciously think applause derogatory. I have yet to meet the actor who was sincere in saying that he disliked applause.

Usefulness! It is not a fascinating word, and the quality is not one of which the aspiring spirit can dream o' nights, yet on the stage it is the first thing to aim at.

Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success upon the stage. And I am still of the same opinion. Imagination, industry [hard work], and intelligence-the three I's-are all indispensable to the actor, but of these three the greatest is, without any doubt, imagination.

Vary the pace. ... it is one of the foundations of all good acting.

Not until we have learned to be useful can we afford to do what we like.

No amount of skill on the part of the actress can make up for the loss of youth.

Only a great actor finds the difficulties of the actor's art infinite.