Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success on the stage.

Applause is an instinctive, unconscious act expressing the sympathy between actors and audience. Just as our art demands more instinct than intellect in its exercise, so we demand of those who watch us an apppreciation of the simple unconscious kind which finds an outlet in clapping rather than the cold intellectual approval which would self-consciously think applause derogatory. I have yet to meet the actor who was sincere in saying that he disliked applause.

If it is the mark of the artist to love art before everything, to renounce everything for its sake, to think all the sweet human things of life well lost if only he may attain something, do some good, great work, then I was never an artist.

Coroners' inquests by learned societies can't make Shakespeare a dead man.

There is all the difference in the world between departure from recognised rules by one who has learned to obey them, and neglect of them through want of training or want of skill or want of understanding. Before you can be eccentric you must know where the circle is.

No amount of skill on the part of the actress can make up for the loss of youth.

Conceit is an insuperable obstacle to all progress.