Take back the night? How can women take back the night when they've never had it?

The public's continuing ambivalence about cultural matters is all the more striking given that the political conversation on these issues has for 30 years been dominated by an aggressive, radical right-wing insurgency that has achieved an influence far out of proportion to its numbers. Its potent secret weapon has been the guilt and anxiety about desire that inform the character of Americans regardless of ideology; appealing to those largely unconscious emotions, the right has disarmed, intimidated, paralyzed its opposition.

While liberals appeared to be safely in power, feminists could perhaps afford the luxury of defining Larry Flynt or Roman Polanski as Enemy Number One. Now that we have to cope with Jerry Falwell and Jesse Helms, a rethinking of priorities seems in order.

If believers feel that their faith is trivialized and their true selves compromised by a society that will not give religious imperatives special weight, their problem is not that secularists are antidemocratic but that democracy is antiabsolutist.

Whatever their limitations, Freud and Marx developed complex and subtle theories of human nature grounded in their observation of individual and social behavior. The crackpot rationalism of free-market economics merely relies on an abstract model of how people "must" behave.

My deepest impulses are optimistic; an attitude that seems to me as spiritually necessary and proper as it is intellectually suspect.

For a decade Americans have been steeped in the rhetoric of "zero tolerance" and the faith that virtually all problems from drug addiction to lousy teaching can be solved by pouring on the punishment. Even without a Commander in Chief who pledges to rid the world of evildoers, smoke them out of their holes and the like, we would be vulnerable to the temptation to brush aside frustrating complexities and relieve intolerable fear (at least for the moment) by settling on one or more scapegoats to crush. To imagine that trauma casts out fantasy is a dangerous mistake.