I'm obsessed with the countryside: woods, forests, fields, lakes, mountains. I'm really into folk music and folklore. But more so I'm into electronic music. I'm into bands that have both aspects, like Boards of Canada is a perfect example. You could listen to that type of music running through a woods. It's kind of what I wanted to achieve.

I got a random tattoo the other day. It's a red triangle, which makes everyone think I'm arty, which I'm not. I used to draw red triangles all the time. It must mean something - maybe I don't know it yet. But I'll figure it out.

I definitely write about a lot of dreamy, surreal stuff. I do end up going to a surreal world with my music, but I also like the idea of there being really real stuff as well.

I think all the covers I do have nice sentiments, particularly 'Your Song.' People write me very sweet messages about that song, though I'm sure there are people out there saying that I've ruined it too!

I instinctively dress a bit tougher because I've spent a lot of time in the U.S. and I realised there was a certain image projected of me here. I've always been an absolute rebel. When I was in my teen years I had piercings and wore all black.

'I Know You Care' is about my dad. And I haven't seen him for a long, long time. And my parents divorced when I was really young. And I guess I just wanted a - it was my way of saying that I wasn't bitter or angry anymore. I was just sad and just felt like something was missing.

You pick up loads of baggage with your first record with reaction to it from fans and critics. So I went to Ireland by myself for a couple of weeks with my guitar. I read lots of poetry, I read Patti Smith's autobiography and started words and phrases and then songs started to take shape.