I'm obsessed with the countryside: woods, forests, fields, lakes, mountains. I'm really into folk music and folklore. But more so I'm into electronic music. I'm into bands that have both aspects, like Boards of Canada is a perfect example. You could listen to that type of music running through a woods. It's kind of what I wanted to achieve.

I've watched and learnt from DJs and remixers and paid way more attention to how I want my voice to sound. Before, as long as it was loud and in tune it was fine. I've discovered the difference made by various microphones and effects, so each track has a different vocal sound, my voice is woven into everything and it's above everything.

I start really missing London when I go away. I have a little flat, but very central. I live above a pub and you'd think it'd be a nightmare, but I like hearing the music and it's quite comforting.

It's usually a big kind of vent of frustration or anger or sadness that puts me in the right frame of mind to write. It's such a cliche to say that artists write when they're down, but it's true for me. It's a relief to get out what's eating away at my heart or my soul or my head.

In Australia and New Zealand, and New Zealand especially, I always find everyone is so nice and friendly. It's one of the few places that I remember visually, like I remember where I stayed and my surroundings - and that's a good sign, because I've got a terrible memory. I'm looking forward to it!

Something funny always happens in every show in the UK and I genuinely love touring the UK because it's where I'm from. I just get a warm feeling when I'm home.

I tend to write things and review it afterwards and realise what comes out. I very rarely ever write something and have to take it back.