When I'm writing obviously I have all the nostalgia in the world, I have all the emotion in the world, but then when I actually perform, I need to just perform it, and that's it. I do retain like a little bit of it because I have to, I sing and perform the songs so I have to - it's a performance of the songs - but I just have to get the right balance.

I never thought that I could make a living out of my voice, to be completely honest. I thought that I could probably keep playing pubs. And it was exciting for me to get even just a pub gig in my town or country, when I went to university.

I hadn't even released my first proper single when I started to feel the strain of attention. But I don't believe that it was the attention that was giving me panic attacks. I think it was everything in my life colliding at the same time. It really did get to a serious point where I couldn't even walk down the street without getting the pain.

I start really missing London when I go away. I have a little flat, but very central. I live above a pub and you'd think it'd be a nightmare, but I like hearing the music and it's quite comforting.

I like the idea about somewhere there being a world... somewhere there's a world that I don't know about. But also, that somewhere, there was once something that disappeared.

I'm obsessed with the countryside: woods, forests, fields, lakes, mountains. I'm really into folk music and folklore. But more so I'm into electronic music. I'm into bands that have both aspects, like Boards of Canada is a perfect example. You could listen to that type of music running through a woods. It's kind of what I wanted to achieve.

Ever since I've been young I've been fascinated by the human body. I've written songs about it, but you can become quite morbid if you think about it too much - paranoid and a hypochondriac.