Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

Talking about a materialistic thing, I get about 13 times more royalties from Europe than I do from America.

Why write for the orchestra? For one thing it's a very challenging problem.

Right at the end of the war I wrote a piano sonata, which was written at a time when Sam Barber used to come down here and we used to have lunch together in a very nice old hotel that's now not there.

The first thing that struck me about contemporary music in general had been thatthere was not much interest in rhythm.

The Quartets have been a major part of my work.

Well when I was young, when I was very young, when I was a little boy I don't remember the music I heard, but there was an article in the Brooklyn Daily written by my Aunt about how I could choose phonograph records.