Silences between movements are employed only in order to bring the opposing duo to the fore.

Why write for the orchestra? For one thing it's a very challenging problem.

When I was in Paris, all of the German refugees began to flow in and it was a very sad time.

My entire life has really revolved around music that was written about the time that I was born, 1908, to just before the First World War and shortly after it. This music I've always known, and it is that music that's most important to me.

Well when I was young, when I was very young, when I was a little boy I don't remember the music I heard, but there was an article in the Brooklyn Daily written by my Aunt about how I could choose phonograph records.

Yes, I get a report from BMI about the frequency of performances, and it is very surprising. They played one of my most advanced pieces, and one of my most unusual ones on the radio.

My musical life started with hearing and being fascinated by contemporary music.