As a professional photographer I take photographs for other people to see - but I want them to see what I see. So I never assume that only a few people will appreciate what I do. At all times, the public should be able to understand what I've done, even if they don't understand how I've done it.

Photoshop is useful in many ways but must NEVER be used for the altering of photographs. My assistants and my agency do whatever Photoshop work for me that may be required as it is too complicated for my brain.

All the technique in the world doesn't compensate for the inability to notice.

I'm almost violent about that stuff - electronic manipulation of pictures. I think it's an abomination. I reject it all. I mean, it's OK for selling corn flakes or automobiles or for taking pimples out of Elizabeth Taylor's face, but it undermines the thing that photography is about, which is about observation and not about manipulation of images.

I like to think I keep my mind open. When I walk the streets I don't look for anything in particular. I come from a philosophy that believes you shouldn't have preconceived notions - that you don't need a gimmick. That you should just photograph what you react to - what you see.

Making pictures is a very simple act. There is no great secret in photography...schools are a bunch of crap. You just need practice and application of what you've learned. My absolute conviction is that if you are working reasonably well the only important thing is to keep shooting...it doesn't matter whether you are making money or not. Keep working, because as you go through the process of working things begin to happen.

It's about reacting to what you see, hopefully without preconception. You can find pictures anywhere. It's simply a matter of noticing things and organising them. You just have to care about what's around you and have a concern with humanity and the human comedy.