Geometry is moribund. I want a lilt and joy to art.

I think that if you can turn off the mind and look only with the eyes, ultimately everything becomes abstract.

I don't labor over my drawings. I want to get freedom in the line.

In drawing, I don't erase. I believe the original gesture has to be the best.

The form of my painting is the content. My work is made of single or multiple panels: rectangle, curved, or square. I am less interested in marks on the panels than the 'presence' of the panels themselves. In Red Yellow Blue III the square panels present color. It was made to exist forever in the present; it is an idea and can be repeated anytime in the future.

Shape and color are my two strong things. And by doing this, drawing plants has always led me into my paintings and my sculptures.

The most pleasurable thing in the world, for me, is to see something and then translate how I see it.