I would do the occasional score. I thought it was the most thrilling thing. It was instant. You made the music and they played it right away to millions of people. I found it thrilling.

All of a sudden I found myself doing things like 'Robot Monster' and 'Cat-Women of the Moon,' and I didn't know what the devil was going on. But if you're going to do areally bad movie, at least you do one that is at the top of the all-time bad-movie list.

I did 10 years of comedies and 10 years of Westerns. I really like to stay away from car chases. I prefer the more intimate film. You have a much more direct association with the emotions.

One of the things that happens in the business is that success is a very strange thing in that if you are involved in something very successful the next person wants you to repeat it.

Today you have something like A Film by Joe Harry. That is patently asinine and ridiculous.

I made my way on to a grey list, a black list even. That's something I'm very proud of, actually.

Victor Young had been hired to write the score for the dances of The Ten Commandments but he became very ill. You were then hired to write the score. But at the same time you'd written The Man with the Golden Arm score.