At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.

The line of dialogue belongs to the character; the verb is the writer sticking his nose in.

I focus on characters as individuals with attitudes and write each scene from a particular character's point of view. That way, even narrative passages take on the character's sound. I don't want the reader to be aware of me, writing.

Bad guys are not bad guys twenty-four hours a day.

I want the reader to know what's going on. So there's never a mystery in my books.

At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.

Never use the words 'suddenly' or 'all hell broke loose.'