I do work a lot. I mean, most of my income, I would say, comes from live performances. And then you've got publishing, you've got record royalties.

In my 20s I was so ignorant about drugs, and so naive. I mean, my band was smoking marijuana for years; I didn't even know what a joint was. And I'd never seen a line of cocaine in my life. And I don't know whether it was bravado or - OK, I'll join in. But my stupidity, I had a line of coke, and that started the whole process.

Nothing should be an issue when it comes to sexuality in the first place. Music is the one artform where people feel comfortable coming out.

A great editor is the most valuable thing you can have as an artist because, as you said, sometimes you get too close to something. I think, apart from your talent, that's why you have the career you have - because you have great people behind you.

I love people who expect me to wear great, feathery costumes- and I do it. It's like an actor getting into his costume for his part. I don't really feel that part until I'm into whatever I'm going to wear.

Goodbye Norma Jean From the young man in the 22nd row Who sees you as something more than sexual More than just our Marilyn Monroe

Onstage it was always comfortable for me because that's where I felt at home. Offstage it was a different situation. I was still shy offstage and unfortunately, my shyness and my inability to communicate and really have great conversations or be part of the gang - in inverted commas - led me to the drug addiction, which, you know, blighted my life for 16 years because I thought by doing that it would make me join in.