In Moulin Rouge, Baz Luhrmann takes the most thrilling moments in a movie musical-the seconds before the actors are about to burst into song and dance, when every breath they take is heightened-and makes an entire picture of such pinnacles.

African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.

The insanely gorgeous competition documentary on surfing obsession, Step Into Liquid — directed by Dana Brown and photographed by John-Paul Beeghly in hypnotic gradations of aquamarine — will send you into a dream state.

I think if some people know anything about African cinema it's something like the The Gods Must Be Crazy, which is such an awful, condescending movie that debases African participation, and anything I can do to shift that and draw attention to rich and widely varied films that come from there- because there's all kinds of filmmakers from Senegal, you have Mambety, and Haroun with Grigris.

There's so many great films coming out. It's still kind of astonishing to me how certain films get ignored, and that film ended up getting ignored and didn't get the attention that it deserved at Sundance.

I always tell people go see something you don't know about. Something you didn't read a ton about on the internet. Something that you don't know what's going to happen because I think that kind of pleasure of finding something new and discovering it, creates a hunger in you.

In Moulin Rouge, Baz Luhrmann takes the most thrilling moments in a movie musical-the seconds before the actors are about to burst into song and dance, when every breath they take is heightened-and makes an entire picture of such pinnacles.