I have only one thing to say to the melancholy man: 'Look into the distance.' ... When you look at the stars or the ocean's expanse, your eye is completely relaxed; once your eye is relaxed, your mind is unfettered.

When we speak, in gestures or signs, we fashion a real object in the world; the gesture is seen, the words and the song are heard. The arts are simply a kind of writing, which, in one way or another, fixes words or gestures, and gives body to the invisible.

Nothing is more dangerous than an idea when it is the only one you have.

As opposed to the incoherent spectacle of the world, the real is what is expected, what is obtained and what is discovered by our own movement. It is what is sensed as being within our own power and always responsive to our action.

The most difficult thing in the world is to say thinkingly what everybody says without thinking.

Profound sadness is always the result of an unhealthy condition of the body. ... We [should] say, 'I am sad; everything looks black to me; but external events are in no way responsible. It's my body that insists on reasoning. These are the opinions of my stomach.'

Wouldn't a sailor laugh at you if you told him that the whole crossing depends on the first turn of the helm?