Well, when I was a kid and I watched Speed Racer, I used to always watch it in the morning with my cereal. And when I ate the cereal, I would pour soda into the cereal because we never really had milk for some reason. I don't know.

I remember when I saw 'The Matrix' when I was 13, I saw it in the theaters, and I was so blown away by it. It was one of the most memorable experiences I definitely ever had in the theater.

Artistic ambition is important. And it seems it would be a great time to do some theatre, like a new extreme.

We want to do for 'Hamlet' what Baz Luhrmann did for 'Romeo and Juliet' in terms of like a really cool kind of re-imagining.

I've realized that what you think of when you make a 'big movie,' if it's actually a green screen movie, it's like doing independent New York theater because you don't have any backgrounds or props. So it's kind of like making the lowest budgeted film you could possibly imagine, plus $100 million.

It was very, very challenging being on this thing called the gimbal. It would throw you around, give you whiplash, and they'd tie you down.

Rather than love, than money, than faith, than fame, than fairness - give me truth.