I can understand there are things like shadows they need to fix after a shoot, but it's unfair to represent an image of yourself if it's not true. They're gonna see what you look like on film anyway, so why try to cover all your wobbly bits in a photo?

I find it very strange doing voiceover stuff, because you find you have to enunciate and make stupid faces in order for the point to make sense, because it's playing against the deadpan Simpson face. If you're just speaking in the regular way you speak, it will sound really boring.

I think a shot can actually influence a scene in a huge way. For example, comedy is always better in a two-shot. What's between the characters is what's funny. So you learn about these things as you go along.

People quit on jobs. They quit on marriages. They quit on school. There's an immediacy of this day and age that doesn't lend itself to being committed to anything.

I almost broke my coccyx on 'The Wolf Man,' and I banged my head once. I had to fall really hard.

There is absolutely, 100 percent, a light at the end of the tunnel for anyone who stutters.

When you're in love, you're so happy that you want to tell people about it. But now I have to censor myself. You need to protect the happiness you have.