I used to look like a deer in headlights on the red carpet. You step out of the car and it's bedlam. Everyone's got crazy eyes.

I think a shot can actually influence a scene in a huge way. For example, comedy is always better in a two-shot. What's between the characters is what's funny. So you learn about these things as you go along.

I always think that the most interesting characters are those that are trying to cover something or those that have some sense of bravado or composure.

I really asked myself, “Oh, my god, how am I going to do this?” That’s what I aspire to, every time I take on a new role.

There is absolutely, 100 percent, a light at the end of the tunnel for anyone who stutters.

I would love to be on Broadway!

I want to find something really wonderful to do next and take my time to search through the dearth of great material, especially for women.