I love ambiguity. People are that way. People are very hard to work out. No one is just strong or just fragile, or anything like that.

I chop a lot of onions because I love cooking, and the times where I've never cried chopping onions is when I'm not thinking about it, when I'm talking to someone or I'm listening to music.

I had to learn to dance for 'The Adjustment Bureau' and it was nearly impossible. I turned up with my knees knocking in my leotard and went home and cried my eyes out.

People quit on jobs. They quit on marriages. They quit on school. There's an immediacy of this day and age that doesn't lend itself to being committed to anything.

I've always been quite a spontaneous person, so I would lean more towards, if you feel it and you know its right, then do it.

I do try hard to pick roles that differ. I love that about the job. I think the variety that's out there is to be taken advantage of and I enjoy that element of shape shifting with everything.

I think a lot of people want to, at some point in their life, be someone else, run away and escape, in some way. We actors do get to do it. We have a job that allows for that. We have an outlet for it.