I think for me the job always has to be the right thing at the right time.

If you're very open to watching the world go by, with people's different tics, you absorb it all without realizing it and find ways to put something into your character. I'm not sure I'm always aware I'm mimicking someone.

It's nothing to be ashamed of to have a stutter.

The performances I enjoy are the ones that are hard to read or ambiguous or left-of-centre because it makes you look closer and that's what humans are like - quite mysterious creatures, hard to pinpoint.

I think a shot can actually influence a scene in a huge way. For example, comedy is always better in a two-shot. What's between the characters is what's funny. So you learn about these things as you go along.

After this interview, I'm going to immigration to try to sort out my Green Card, just like any other normal person.

If you're in America a lot, it's easy to get into playing American. All of it, the sounds, the energies, all very different. But it's really hard to do the accent. I tend to try and stay in it all day, which is the only way I can manage it.