I love character roles. I'm happier in them. I look for roles that have some kind of complexity.

The more we mask ourselves, the freer we're able to be within ourselves.

I had to learn to dance for 'The Adjustment Bureau' and it was nearly impossible. I turned up with my knees knocking in my leotard and went home and cried my eyes out.

It's funny, because when you work on a set, everyone is watching you. You are being observed by everyone.

If you're in America a lot, it's easy to get into playing American. All of it, the sounds, the energies, all very different. But it's really hard to do the accent. I tend to try and stay in it all day, which is the only way I can manage it.

I'm kind of effectively bipolar.

I think it is nice for people to appreciate a slow-burning, beautiful story that makes you feel good when it is over.