My objective is that I don't try to do the same thing. I try not to emulate something I've done before. And, I'm a real people watcher, so I like trying to play characters that are as diverse from each other as possible, simply because it's more fun for me, actually.

I think a shot can actually influence a scene in a huge way. For example, comedy is always better in a two-shot. What's between the characters is what's funny. So you learn about these things as you go along.

I always think that the most interesting characters are those that are trying to cover something or those that have some sense of bravado or composure.

I do try hard to pick roles that differ. I love that about the job. I think the variety that's out there is to be taken advantage of and I enjoy that element of shape shifting with everything.

I chop a lot of onions because I love cooking, and the times where I've never cried chopping onions is when I'm not thinking about it, when I'm talking to someone or I'm listening to music.

What's wonderful about Into The Woods is that you have a combination of all the most famous fairytales in this one story.

I love ambiguity. People are that way. People are very hard to work out. No one is just strong or just fragile, or anything like that.