The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, 'Let me in - let me in!' 'Who are you?' I asked, struggling, meanwhile, to disengage myself. 'Catherine Linton,' it replied, shiveringly (why did I think of LINTON? I had read EARNSHAW twenty times for Linton) - 'I'm come home: I'd lost my way on the moor!' As it spoke, I discerned, obscurely, a child's face looking through the window.

He might as well plant an oak in a flowerpot, and expect it to thrive, as imagine he can restore her to vigour in the soil of his shallow cares!

If he loved with all the powers of his puny being, he couldn't love as much in eighty years as I could in a day.

Yet I was a fool to fancy for a moment that she valued Edgar Linton's attachment more than mine -- If he love with all the powers of his puny being, he couldn't love as much in eighty years, as I could in a day. And Catherine has a heart as deep as I have; the sea could be as readily contained in that horse-trough, as her whole affection be monopolized by him -- Tush! He is scarcely a degree dearer to her than her dog, or her horse -- It is not in him to be loved like me, how can she love in him what he has not?

And, even yet, I dare not let it languish, Dare not indulge in memory's rapturous pain; Once drinking deep of that divinest anguish, How could I seek the empty world again?

You have left me so long to struggle against death, alone, that I feel and see only death! I feel like death!

Whatever our souls are made of, his and mine are the same.