We don't have T-shirts with my face, but there I can see the beginnings, especially young girls seeing me as sort of a icon in that way. And in that regard I'm more than happy to step in.

I think that every band is different, and in fact that's one of the biggest problems with the old-school music industry is that... one band would be successful according to a certain approach, and then every other band in the label gets sent down the same tube.

The nature of making music and making art, what motivates me is that it's interesting. It's interesting to listen, to really listen to other people's point-of-view. Take in their work. Listen to the way they sing. Listen to the way they write lyrics. What they are trying to express.

I always felt like I had to leave Canada, which I think is a common perspective - feeling as if you have to leave because otherwise you'll be too soft, and that objective reality exists in America. And I'm starting to feel like that doesn't have to be the case.

In Canada there's an extensive grant system that really allows people to make their work without having to suffer that much, and I'm staring to come around on that, that maybe people don't have to suffer. Maybe you can just not be unhappy and make beautiful music in Canada, maybe that's ok.

Being alive and understanding that and making the decision to actually live take a lot of courage.

I don't really write journals and stuff and then adapt them to music, it's completely within the form of the song. My great obsession and basically the bane of my existence is caring probably too much about every word, but it's too late to change my career path.