The ratings thing is the real issue. It really hurts movies. For example, in Redbelt, I smoked. The whole plot of my character was based on the fact that I was a smoker. And then they discovered that just by having someone smoking in the movie, it immediately makes the rating an R. So they had to cut out every shot where I had a cigarette in my hand and it totally affected the performance. That was very frustrating to David Mamet as well. I can remember him saying, "It's a nightmare."

There's a whole world of bad TV that's along similar themes - the cop drama.

Good people can do terrible things, and that's what life is all about, the complexities and grey areas. And often characters aren't written that way in movies, especially characters for women. So you end up being either one thing or the other.

You do the one film that you think is terrible, but it's a big studio film and you hope you'll get another job because of it, because blah blah blah, whatever it is. You know that you hate it, you just couldn't care less if it got made because it's not something in a million years you'd go and see yourself. And it ends up being shite and you just knew it was shite to begin with, and it doesn't do you any favors at all if someone thought you were in another shite film. So I decided it doesn't get me anywhere being cynical. It's not that I want to be.

There's something helpful about the fast pace of a TV set where everything has to be finished by the end of the week. You have to finish the episode; it doesn't matter how long you have to go on Friday night, but you have to get it done.

I had watched 'Alfie,' but I didn't consider it a prerequisite. Michael Caine was just extremely fabulous. He's one of the most professional actors I've ever worked with. I guess after a lifetime of doing it, you know what you're doing. He's incredibly uncomplaining, undemanding.

I thought a parent's job was to tell their children not to go into acting as a profession!