Los Angeles is like a beauty parlor at the end of the universe.

I was determined not to become an American citizen but I did it for completely cynical reasons: to avoid paying inheritance tax in the U.S.

You never in a million years thought that you would ever end up in a Woody Allen film even though that might be your dream, and there you are. Suddenly you've got one. But you're not playing the quintessential Woody Allen heroine, which is somebody that's full of self-doubt and heartbreakingly naïve. Chloe in Match Point was a nightmare in some ways and totally entitled, and felt like everything was going to be all right. Most of the women in Woody Allen films feel like everything's awful. I didn't understand what to do. But some of the confusion is helpful.

I guess secrets are part of the fabric of everybody's lives. I mean everybody's lives, and guilt is part of the fabric of everybody's lives.

I want to discover more things about acting.

Lots of people there seemed to be in denial, in absolute denial, of death - everybody's pretending that death doesn't happen in L.A.; if you do enough exercise and take enough wheatgrass and have your pill every day, you might not die.

I spent a lot of time with a real detective, a lady detective inspector who was the only female detective inspector in the whole of East London. She and I hung out a lot. She showed me what she did and I spent time with her. So, [she was] a lot of the inspiration for the way I dressed and sometimes the dialogue in those interview scenes where we're cross examining and questioning the youths and trying to get a confession out of them.