You do the one film that you think is terrible, but it's a big studio film and you hope you'll get another job because of it, because blah blah blah, whatever it is. You know that you hate it, you just couldn't care less if it got made because it's not something in a million years you'd go and see yourself. And it ends up being shite and you just knew it was shite to begin with, and it doesn't do you any favors at all if someone thought you were in another shite film. So I decided it doesn't get me anywhere being cynical. It's not that I want to be.

I borrowed my friends car the other day in an attempt to persuade my husband that we needed a car and literally this is true, in the first day of borrowing the car, I got three tickets and I rear-ended it.

'Leonie' did get made and it was an extremely wonderful experience. I got to travel the world. I filmed for 6 months - 3 months in New Orleans and 3 months in Japan.

I have to say that, though it sounds so superficial, the accent really does help. I like having accents preparing for a part.

It is brilliant going to the theatre and being forced to sit and listen and think about life. It can be almost a near-religious experience.

My take on people and on the characters I play in Transsiberian, the role you're looking for, is that everybody is more than one thing. We're many things, all of us, and there are times when we are capable of great levity and jolliness and then there are times when the opposite is true.

It's quite frightening; the business of trying to be funny is very hairy. In comedy, the potential for humiliation is huge. Trying to be funny and failing is about the most embarrassing thing you can do.