I think it's really crucial to leave our American context, not only for a sense of individual freedom, but also to make links to international struggles for civil rights.

I think it's really crucial to leave our American context, not only for a sense of individual freedom, but also to make links to international struggles for civil rights.

I felt saddened and confused to discover my favorite mural gone, but also hopeful that another one may be in the works. Street art is mysterious and impermanent like that. It can appear or disappear overnight. Murals like these are at risk of desecration, transformation, erasure. Someone's gonna piss on it, draw a mustache on it, tag it. The weather's going to make it fade. That's part of the beauty, I think. Murals have value without being precious.

I look at my kids, who were born under a Black president, who hop around the living room naked and joyful, mimicking Simone Biles, and just think, Damn, they got some amazing role models of Black excellence.

It matters when public officials admit that their hearts have changed, but only in the service of changing actual policy.

I learned from James Baldwin that one can be a novelist, essayist, and activist, combined. That being critical of one's country is a way of loving it. That travel is crucial for perspective. That faith needn't be confined to organized religion.

I don't think of rejection as rejection, just a bad fit. Then I seek out other avenues of acceptance.