Yugoslavia was a kind of superpower. Great movies. Beautiful novels. Great rock-and-roll. We became a superpower in basketball. The problem is that people needed to identify more strongly with it after Tito and his awful, tricky way of leading the country.

Every time I'm shooting a movie I want to kill myself. Because I don't see the light in the end of the tunnel.

My father was an atheist and he always described himself as a Serb. OK, maybe we were Muslim for 250 years, but we were orthodox before that and deep down we were always Serbs, religion cannot change that. We only became Muslims to survive the Turks.

You know, in each segment of ex-Yugoslavia, multi-ethnic life is lost, except I think we somehow still have this in Serbia.

In Serbia a lot of people hate me because they want to westernize, not understanding that the western world is bipolar, with very good things and very bad things.

My purpose is to make a movie to make you warm. To give you some heat. Now, this rational world has become a place where only what is cool is good. Do you cut the movie on the basis of the beat of modernity or the basis of the beat of your own heart?

Yugoslavia was a kind of superpower. Great movies. Beautiful novels. Great rock-and-roll. We became a superpower in basketball. The problem is that people needed to identify more strongly with it after Tito and his awful, tricky way of leading the country.