Yugoslavia was a kind of superpower. Great movies. Beautiful novels. Great rock-and-roll. We became a superpower in basketball. The problem is that people needed to identify more strongly with it after Tito and his awful, tricky way of leading the country.

I am a living illustration of Bosnian mixing and converting. My grandparents lived in eastern Herzegovina. Very poor. The Turks came and brought Islam. There were three brothers in the family. One was Orthodox Christian. The other two took Islam to survive.

You know, in each segment of ex-Yugoslavia, multi-ethnic life is lost, except I think we somehow still have this in Serbia.

My purpose is to make a movie to make you warm. To give you some heat. Now, this rational world has become a place where only what is cool is good. Do you cut the movie on the basis of the beat of modernity or the basis of the beat of your own heart?

Every time I'm shooting a movie I want to kill myself. Because I don't see the light in the end of the tunnel.

What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in the world.

I put my ideas into practice. That may be the reason people hate me.