Now that I've got a way in [to the industry] - because it can feel a bit like, "How can I possibly write a film?" - but now that I've got at least some experience in the film world, I'd absolutely love to do it again.

Sometimes when persons say definitely it sounds actually less true.

The Collector [John Fowles book] does such a good job of capturing the mindset of a capturer, and also that's become a banal trope of every second crime novel: the weirdo, fetishistic watcher/stalker/kidnapper/kidnapper of women or children.

Sometimes, I think there's a lack of ambition in me. But then sometimes, I think, no, you can, like William Blake said, you know, see heaven in a grain of sand. If you look really, really closely at a situation, you can find almost endless interest in it.

I watch his hands, they're lumpy but clever. "Is there a word for adults when they aren't parents?" Steppa laughs. "Folks with other things to do?

I've certainly seen stats that if you have a woman director or a woman screenwriter, the number of female characters goes way up.

With my first book, I was hired to write a draft of the script. I was so young and less confident. They put me through seven or eight drafts and it was just getting worse and worse, and then the film was never made.