Identity politics are wearisome; you don't want to go on speaking for any one group as a writer.

I think it would be a shame for any writer to let their publishers in any way corral them into a single genre.

The film world is far more male-dominated. I mean, the numbers are staggering at the level of how many people on set there are, and almost all the trades in film, there's a lot more men. So I can see without anyone intending to be biased [that] we have kind of a collective choosing of men's stories and a collective of taking men's stories seriously.

I thought one way to try to hold on to the power was to write the script myself. That way, I could say to filmmakers, "I'm not asking you to hire me unseen. I'm just saying, 'Here's my script. Can we work together?'" So that worked out well.

At the door, there was one of those moment when two people realize that they like each other more than they know each other. This is nicer than the opposite situation, but more awkward. You try to remember the protocol for touching. You hate to gush, or presume to much, yet you are unwilling to let the moment pass without without some gesture

Sometimes when persons say definitely it sounds actually less true.

My mother was wonderfully out about her dementia. She would sort of - she would say to me, I came out to the window cleaner about having dementia. You know, I love the way that verb for coming out of the closet has now become so socially useful for all sorts of situations, like when you need to explain to the window cleaner that you don't know if you paid him or not.