If killing yourself is not an option anymore, you have to sink into the darkness instead, and make something out of it.

I don't see what's so good about being genuine. Clog dancing is genuine. Isn't being fake more of an achievement? At least it takes some inspiration. Like, sherbet dips, they're a special food. Think of all the additives and coloring and grinding that it takes to create a sherbet dip. But carrots? They're just out there, shrieking, "Hi, we're some carrots! Love us for it!" They never have to prove themselves.

You can have this kind of love. You can have it. You just grab it. Of course the problem with having that love is that you can lose it, too.

I wouldn't say that my emotions are extreme. I'd say they are committed. My moods are the equivalent of Madonna's dancing: inappropriate but all-out. If I'm going to be sad, I might as well be the saddest a girl can get. And if I'm happy, I want to be the happiest. The trouble is, I feel highs so ecstatic that just being normal feels like a thousand-mile drop and being unhappy is excruciating.

I wish I had been less keen to inject my own opinions, but I was a teenager and your teenage self is generally an idiot compared to the adult you. That's the way it should be. If it's the other way around, you have a problem.

There is that doll dress-up quality of adorable teenage girl writer, and I never felt either as adorable as I was supposed to be, or as dark as the rumors, you know, "She must have slept with the editor," and I was like, "Oh my god, I'm still a virgin." It was very strange.

You’re like Marilyn Monroe,’ Ken tells me, which I take as a compliment and say a nervous “Thank You”. Interrupting, he adds, ‘You’re all velvet and Velcro. Men want you because you’re sexy and broken and when it gets too rough they can say “Hey! This toy is broken!” and toss you aside without feeling bad.